“L ike Jaws if everyone in Jaws worked for Jaws.” Watching José Mourinho circle the touchline at the Puskas Arena on Wednesday night, giving off that horribly persuasive eau de la haine, it was hard not to be reminded of the words of cousin Greg, Succession’s beanpole idiot savant, describing a similar scene of top-down toxicity.
We know that Mourinho energy by now, the toxic theatre, the performative rage, the love of conspiracy and imagined injustice.
What does he look like these days, with his perfect shock of white hair, the quicksilver glare? An arms dealer on his way to play golf?
A wrongly convicted serial killer who lives in a palazzo and drinks fine wine and turns out at the end of the movie to be a serial killer after all?
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