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Veronica Rossini, Director of the Tent Partnership for Refugees, says "I hope that what we're seeing now is setting a blueprint for future refugee crises to come, and that instead of being the outlier, this becomes the way that Europe supports and welcomes all refugees, regardless of where they're from."
Festival director Olivier Py is handing over the reins to Tiago Rodrigues after nine years of administering this cultural marathon. He tells us how the war in Ukraine prompted him to stage a special cabaret show with Kyiv’s Dakh Daughters troupe and musician Angélique Kidjo.
Pogacar attacked on a steep climb 500m from the finish and was a class above his key rivals Jonas Vingegaard and Adam Yates, who are now 31sec and 39sec behind him in the standings.
The 27-year-old world number two from Tunisia triumphed 6-2, 3-6, 6-1 and will face either 2019 champion Simona Halep or Elena Rybakina in Saturday's championship match.
The crowd of 68,871 was the largest for a European Championship game, beating the previous best of 41,301 from the Euro 2013 final in Sweden, and the enthusiasm of the heavily youthful and noisy supporters fired England to a lively start.
The unseeded 27-year-old lost the opening nine points on Court One but ultimately had too much firepower for Garin who had hoped to become Chile's first Wimbledon semi-finalist.
Clarke prevailed in a lung-busting sprint finish from the day's breakaway after a day featuring more than 19km of cobbled sectors while two-time defending champion Tadej Pogacar gained time over all his rivals.
Lisa also tells us about "Ennio", a documentary by Italian director Giuseppe Tornatore celebrating the life of his friend and collaborator, composer Ennio Morricone. Morricone was the man behind some of cinema’s most iconic music, like the pan flute notes that set the scene for spaghetti western standoffs. Next, we head to Iraqi Kurdistan for the latest film from writer and director Hiner Saleem. "Goodnight Soldier" tells the story of a young couple faced with multiple obstacles – first, their feuding families, then a combat wound that raises questions of virility. Finally, we take a look at the eerie offerings of a retrospective of British film noirs showing at the Cinémathèque in Paris.